WHAT IS PIND?

U. Paris 8, CRLC (EA 1569)

[SD] Literature

[TR] Paris, London

Specialist of experimental literature and industrial music, Christophe Becker studies the exchanges between mainstream and underground cultures in the literary, musical and cinematographic fields. In collaboration with Aurélien Gleize (Theoretical Questions), he is currently coordinating the translation and online publication of the poem “Agrippa” by William Gibson, 1992.

CNRS, CESR (UMR7323)
Administrative management of the PIND project
Hyacinthe Belliot is an engineer of studies in source analysis at the CNRS. It shares its activities between the management of the Renaissance documentary collection and the administrative management of the regional, national, bilateral and European research projects of the Ricercar Program as well as the general organization, both in France and abroad.

Soundman of the project PIND

Dominique Burdin was trained in audio engineering at FMR (Toulouse). He is tasked by the PIND team to record the fertile production of papers and debates recorded during the PIND study days.

Publishing editor PIND

Isabelle Pelletier is an independent editor. She works in public scientific publishing, from the conception of editorial projects to the realization of printed and digital works, and their dissemination in the scientific community and beyond.

MCC, Archives Mission

[SD] Archival

Vincent Bouat-Ferlier is an archivist who is a palaeographer and chief curator of heritage. He has been in charge of the Archives of the Ministry of Culture since 2013, which leads him to collect and preserve the archives of the ministry and to work with all the ministry’s operators to contribute to the preservation of the archival heritage and preservation of the archives. The memory of culture.

CNRS, CESR (UMR 7323)

[SD] Musicologue

[TR] Italie, France, Belgique, Espagne, Portugal, Maroc

Chanteuse et musicologue depuis 1993, Camilla Cavicchi a consacré ses travaux aux traditions musicales orales dans le bassin de la Méditerranée à la Renaissance. La passion pour l’oralité dans l’histoire et pour les pratiques musicales populaires l’a amenée à chercher au-delà de la source écrite et se spécialiser dans l’iconographie musicale, l’organologie et l’histoire sociale.

Plastic artist

Laurence Ramos is a visual artist and social worker. She is a graduate in fine arts and business law and is currently in training (CAFERUIS social diploma). She has participated in collective painting exhibitions (Palais de Tokyo, City Hall, Les Lilas, Montreuil, La Miroiterie). She had a painting workshop in the Parisian squat of La Miroiterie and is very involved in project to obtain new premises following the closure of the squat in 2014.